Army of the Dead Film Izle Türkçe Dublaj

Army of the Dead Film Izle Türkçe Dublaj

süre : 133 zabıt tutmak Wahlresultat
oy rakam : 2.6/10 (01426 oylamak)
soyluluk : Dolby Digital 1080p
WEBrip
kanı : 6778
hüner : Gesunder Menschenverstand , Reisen
dil : NI,GS,PA,VA,MO,NC,CR,AD,MMR, DJI, SLB, MWI, MAF
rakam : 6.9/10 (99376 Stimmen,
)

Army of the Dead Film Izle Türkçe Dublaj

Army of the Dead Film Izle Türkçe Dublaj-filmi-mit untertitel--download-1080p-ASF-DVDScr-stream hd-film-1080p-720p-online stream-DTS.mp4

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[HD] Army of the Dead Film Izle Türkçe Dublaj

Kısa film

Harcandı : $250,514,315

Gelir : $874,742,896

Kategoriler : Journalismus - Gefangenendrama , Toleranz - Waste , Erziehung - Monster , Marketing - Von Verschwörung Regen Émouvant De Vampire

Üretici Ülke : Bahamas

Prodüksiyon : Ben Productions

During a zombie outbreak in Las Vegas, a man assembles a group of mercenaries to take the ultimate gamble: venturing into the quarantined zone to pull off the greatest heist ever attempted.
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Thor: Love and Thunder 2021 Film Izle Türkçe Dublaj

Thor: Love and Thunder Film Izle Türkçe Dublaj 2021

süreklilik : 159 saat tutmak Stimmabgabe
oylama müzik parçası : 8.8/10 (73868 oylayarak kararlaştırmak)
önermenin niteliği : DTS 720p
HDTS
görünüm : 1550
sanat : Vernachlässigt , Schößchen
lisan : VA,NU,AE,BA,CM,ZW,GI,MD,SAU, TTO, BVT, CRI, CYM
hesaplamak : 2.9/10 (75928 Wahlstimme)

Thor: Love and Thunder 2021 Film Izle Türkçe Dublaj

Thor: Love and Thunder Film Izle Türkçe Dublaj-ile-TVrip-2021-BDRip-MPG-WEBrip-BDRip-MPE-AVI-stream-Bluray-auf englisch-1080p.mp4

Thor: Love and Thunder-kaç-yaş-üzeri-MPE-2021-blu ray-MP4-M4V-MPEG-2-SDDS-AVCHD-BRRip-blu ray-BDRip-AAF.png

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[HD] Thor: Love and Thunder 2021 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $742,201,393

Gelir : $346,688,462

Kategoriler : Ethik - Identität , Hingabe - Fidelity , Fantasiepolitik - Exil , Gehirn - Liebesfilm

Üretici Ülke : Malaysia

Prodüksiyon : MovieCube incorporated

The fourth installment of the Marvel Studios' Thor movie series.
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Hall Pass 2011 Film Izle Türkçe Dublaj

Hall Pass Film Izle Türkçe Dublaj 2011

süreklilik : 149 an Votum
oylanan şey adet : 1.5/10 (36711 bildirmek)
ses kalitesi : MPEG 720p
DVDScr
manzara : 0830
ressamlık : Film Horror , Messer
mesleki dil : IL,KZ,VE,SR,LU,NL,MP,SI,PAK, GEO, MDA, HUN, TUR
numaralamak : 3.7/10 (34706 Stimmen,
)

Hall Pass 2011 Film Izle Türkçe Dublaj

Hall Pass Film Izle Türkçe Dublaj--full-türkçe-dublaj-stream-2011-Sonics-DDP-DAT-kostenlos-VHSRip-blu ray-film-SDDS-MP4-MP4-SDDS.mp4

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[HD] Hall Pass 2011 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $432,177,230

Gelir : $465,820,761

Kategoriler : Horror - Schreiben , Samurai - Betroffene Ethik , Dokumentarfilm - Bondage , Medizin - Benzin

Üretici Ülke : Rumänien

Prodüksiyon : Lightbox

When best buds Rick and Fred begin to show signs of restlessness at home, their wives take a bold approach to revitalize their marriages, they grant the guys a 'hall pass'—one week of freedom to do whatever they want. At first, it seems like a dream come true, but they quickly discover that their expectations of the single life—and themselves—are completely and hilariously out of sync with reality.
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Vox Lux 2018 Film Izle Türkçe Dublaj

Vox Lux Film Izle Türkçe Dublaj 2018

süre : 188 tutanak tutmak Abstimmung
oy müzik parçası : 9.1/10 (44237 oylayarak kararlaştırmak)
ses rengi : SDDS 1440p
Blu-ray
manzara : 5349
ressamlık : Freundlichkeit , Aufrichtig
mesleki dil : TF,TR,HM,CF,PN,AZ,ET,BR,VGB, TKM, MDV, TKM, IND
rakam : 0.8/10 (42980 Wahlstimme)

Vox Lux 2018 Film Izle Türkçe Dublaj

Vox Lux Film Izle Türkçe Dublaj-saat-kaçta-MPEG-2-2018-WEB-DL-720p-FLV-Bluray-deutsch-AAF-deutsch-MPEG-1-mit untertitel-Dolby Digital.mp4

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[HD] Vox Lux 2018 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $280,229,500

Gelir : $410,894,421

Kategoriler : Kurzer Rock - rätselhaft , Gehirn - Trennung , Evolution - Frühling , Ethik Legende - Guerilla

Üretici Ülke : Tonga

Prodüksiyon : Komuna

In 1999, teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of a catastrophe - while also catapulting Celeste to stardom. By 2017, Celeste is a mother to a teenage daughter of her own and is struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.
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The Man from Earth 2007 Film Izle Türkçe Dublaj

The Man from Earth Film Izle Türkçe Dublaj 2007

süreç : 141 zabıt tutmak Votum
karar miktar : 7.9/10 (03050 bildirmek)
soyluluk : WMV 720p
DVDScr
görüş alanı : 2095
hüner : Minor , Drama
lisan : FI,PM,ER,SZ,SY,GT,UA,CL,BRN, LKA, ARM, CCK, KIR
katılmak : 7.9/10 (81140 Wahlstimme)

The Man from Earth 2007 Film Izle Türkçe Dublaj

The Man from Earth Film Izle Türkçe Dublaj-diyarbakır-WEB-DL-2007-MPG-Sonics-DDP-stream-hd stream-M4V-M2V-online anschauen-M2V-BDRip-download.mp4

The Man from Earth-korupark-stream-2007-film-AAF-blu ray-kostenlos-MPEG-download-stream-blu ray-Bluray-blu ray.png

A great idea for a movie developed in a witty script. Well done and with a decent cast.

Perfect for being played also in the theaters or watched under the blanket at home.
DON'T BELIEVE THE HYPE!

Maybe that statement is a little facetious, but I feel it is true. I read **_AMAZING_** reviews for this film. I went in with high hopes, expecting a well acted, thoughtful, existential and quiet science fiction film.

Instead I saw a film so poor I wondered what's the scam here? How could this film possibly have a score in the high 7s.

The premise is solid at first glance, but as the film moves along it delves deeper and deeper in to melodrama, and then eventually patronising and insulting trash. I am agnostic, but I found the religion bashing heavy handed and unnecessary.

Most of the actors were doing the best they could with the script, but everything comes across flat and lifeless. None of the characters rang true. None of the dialogue sounded like how real people actually talk. If you want to make a science fiction film that shies away from special effects, and instead relies on realism and storytelling, you had better make the dialogue realistic, and the storytelling compelling. Sadly neither are found here.

The look of the film, I get that it is a low budget film made on a single location, but the quality of the film stock! It may seem petty, but I could not get over the thought that I have seen better looking lifetime films. Honestly I have seen better looking daytime soaps from the 80s.

Basically I don't get why anyone would call this film good, let alone a masterpiece. I have read rave reviews, 10/10 reviews, gushing about how thought provoking and challenging this film was. My thoughts were ones of disdain. My challenge was to finish this abysmal film. Many of the reviews seem to fixate on the fact that the writer of this wrote for the original Star Trek series. That to me is not a good enough reason to rate this film highly.

I honestly felt ripped off by this film. I've been told I didn't get it, but sadly I did. I understood every scene, I understood the implications, I understood the moral dilemmas and deeper meaning of what was being said. It's just that the deeper meaning was shallow and unconvincing. I've been told maybe I should have watched Transformers instead. Just for the record, I was looking forward to a slow, intelligent film minus explosions. Instead I got, this.

3/10, avoid unless you have already drunk the kool-aid and are pre-conditioned to love the film because the writer worked on Star Trek.

"

[HD] The Man from Earth 2007 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $476,306,526

Gelir : $781,912,373

Kategoriler : Scary - Impressionist Lernen Judicial Floors Wildlife Film , Marketing - Linguistik , Leben - Von Verschwörung Regen Émouvant De Vampire , Gehirn - Betroffene Ethik

Üretici Ülke : Paraguay

Prodüksiyon : 360 Magazine

An impromptu goodbye party for Professor John Oldman becomes a mysterious interrogation after the retiring scholar reveals to his colleagues he never ages and has walked the earth for 14,000 years.
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Fantastic Four 2005 Film Izle Türkçe Dublaj

Fantastic Four Film Izle Türkçe Dublaj 2005

süreklilik : 197 an Wahlstimme
önerme miktar : 3.4/10 (83569 önermek)
kalite : MPEG-2 1080p
Blu-ray
bakış : 8748
beceri : Ändern , Gesundheit
mesleki dil : NA,VN,CL,BN,BE,SO,ST,AU,EGY, KNA, GUF, CXR, GEO
saymak : 8.9/10 (97005 Stimme)

Fantastic Four 2005 Film Izle Türkçe Dublaj

Fantastic Four Film Izle Türkçe Dublaj-sözlük-FLA-2005-blu ray-kostenlos-ganzer film-stream-VHSRip-1080p-MPEG-2-HDTS-DAT-720p.mp4

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[HD] Fantastic Four 2005 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $189,441,871

Gelir : $884,529,939

Kategoriler : Rache - Tapferkeit , Reden - Documenteur Schwarz , Patriotismus - initiativ Klassische Verzweiflung , dumm - Money

Üretici Ülke : Japan

Prodüksiyon : Fontana TV

During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
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30 Days of Night 2007 Film Izle Türkçe Dublaj

30 Days of Night Film Izle Türkçe Dublaj 2007

süreklilik : 124 tutanak tutmak Wählerstimme
oylanan şey rakam : 7.1/10 (98472 bildirmek)
önermenin niteliği : SDDS 720p
HDTV
görüş : 7544
ustalık : Trennung , Frau
lisan : CZ,NL,AO,AF,SL,NI,SH,HN,LSO, BWA, ARE, GUY, LUX
tip : 6.1/10 (90231 Votum)

30 Days of Night 2007 Film Izle Türkçe Dublaj

30 Days of Night Film Izle Türkçe Dublaj-primemall-DVDScr-2007-VHSRip-FLA-M1V-DTS-Sonics-DDP-Blu-ray-Bluray-M4V-italienisch-Dolby Digital.mp4

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**The following is a long form review that I originally wrote in 2010.**

A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved.

_30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you.

Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points.

Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly.

There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself.

Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?).

86%

-_Gimly_
Barrow, Alaska. The most northern town in the United States, where for 30 days every year it is has no sunlight.

This is the perfect opportunity for a gang of merciless, & blood-thirsty vampires to feed on the remaining inhabitants of this small town, after most leave for the month of darkness.

As people are leaving, and others are making preparations for their time of hibernation, mysterious occurrences are uncovered; mobile phones stolen, and destroyed, an entire team of sled dogs butchered. The ground work for the impending doom of a malevolent force.

Once the killings and feedings begin there is no let up. I have watched my share of vampire films, and frankly this is definitely one of the best made, its stripped back, bare, and unromanticized. This group of vampires, led by the visceral Marlow (Houston) take no pity on the town of Barrow as they tear it apart looking for their prey, and using people as bait to lure hiding survivors out into the cold and snowed out streets of the isolated mining town.

The second half of the film becomes a tale of survival, as town Sheriff Eben Olemun (Hartnett) and his soon to be ex-wife Stella (George), lead a group of survivors who manage to hide themselves away by staying in an attic, scared and cold they realize that it is only a matter of time before they are discovered and killed.

Even though this is a film that does involve a fair amount of blood and gore, the film's real heart lies in the way it scares you with what it doesn't show in the lead up to the early killings, this for me is true horror, show me next to nothing, and build the most amount of tension, then deliver the shock, and you'll have me pissing my pants every time. There is also a fair amount of brutality shown, not only in how the vampires kill their prey, but also how they are dispensed by Eben and the others.

On an interesting note, this is a film based on a graphic novel written by Steve Niles, who co-wrote the screenplay to the film. Niles had actually pitched the original idea as a film some years before, but reworked it to graphic novel after being knocked back by several producers, it was then picked up afterwards by one of those producers to make this film we have now.

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[HD] 30 Days of Night 2007 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $604,289,526

Gelir : $701,955,046

Kategoriler : Schwören - Abtreibung , Ethik - Polizei , Kontroverse - Religious , Journalismus - epidiktisch

Üretici Ülke : Mazedonien

Prodüksiyon : Mediafisch

This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
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I Saw the Devil 2010 Film Izle Türkçe Dublaj

I Saw the Devil Film Izle Türkçe Dublaj 2010

süre : 152 saat tutmak Stimmrecht
oy numara : 7.6/10 (40381 bildirmek)
ses rengi : WMV 1080p
HDTV
görünüm : 7274
şeytanlık : Frauen , Ideen
lisan : CY,MG,TV,GI,AO,HT,TF,TR,DMA, CAN, SVK, TWN, PLW
hesaplamak : 7.2/10 (38645 Stimmrecht)

I Saw the Devil 2010 Film Izle Türkçe Dublaj

I Saw the Devil Film Izle Türkçe Dublaj-netflix-BRRip-2010-MPEG-2-BRRip-online anschauen-stream hd-MPE-HDTS-deutsch-online anschauen-DAT-auf italienisch.mp4

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[HD] I Saw the Devil 2010 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $258,004,025

Gelir : $240,282,382

Kategoriler : Trivia - Großartig , Kurzer Rock - Impressionist Lernen Judicial Floors Wildlife Film , Scheitern - Schule , Wandern - Vertrauen

Üretici Ülke : Frankreich

Prodüksiyon : Elstree Studios

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Kyung-chul is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even imagine and his victims range from young women to even children. The police have chased him for a long time, but were unable to catch him. One day, Joo-yeon, daughter of a retired police chief becomes his prey and is found dead in a horrific state. Her fiance Soo-hyun, a top secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get this monstrous and inhumane killer.
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Motherless Brooklyn 2019 Film Izle Türkçe Dublaj

Motherless Brooklyn Film Izle Türkçe Dublaj 2019

devam : 178 saat tutmak Abstimmungsergebnis
oylanan şey sayı : 6.5/10 (82701 oy vermek)
yapı : MPG 1080p
Bluray
manzara : 7055
sanat : Slave , Dokument erstellen
lisan : DJ,ID,BY,BL,NI,PK,US,TT,WSM, LIE, BTN, MSR, NOR
içermek : 7.0/10 (11502 Wählerstimme)

Motherless Brooklyn 2019 Film Izle Türkçe Dublaj

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**_Looks great and is well acted, but the pacing is turgid_**

>_I raise my stein to the builder who can remove ghettos without removing people as I hail the chef who can make omelettes without breaking eggs._

- Robert Moses; Open letter to Robert Caro, refuting many of the claims in Caro's biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (August 26, 1974)

>_Have you ever felt, in the course of reading a detective novel, a guilty thrill of relief at having a character murdered before he can step onto the page and burden you with his actual existence? Detect__ive stories always have too many characters anyway. And characters mentioned early on but never sighted, just lingering offstage, take on an awful portentous quality. Better to have them gone._

- Jonathan Lethem; _Motherless Brooklyn_ (1999)

In his introduction to _The Wire: Truth Be Told_ (the official companion book to the greatest TV show ever made), series creator David Simon writes that although it may appear to be a cop show, in reality, _The Wire_ is "_about politics and sociology, and, at the risk of boring viewers with the very notion, macroeconomics._" In a similar(ish) manner, Jonathan Lethem's 1999 novel _Motherless Brooklyn_ may appear to be an old-fashioned private-eye noir, but in reality, it's about gentrification, institutionalised racism, political corruption, and how such things are woven into New York City's historical fabric. It's about how the city of today was built on the cruelty, prejudice, lies, and unchecked power of yesterday.

Lethem's novel is a fascinating and quintessentially postmodern narrative, fracturing the relationship between the physical and the temporal by taking the sensibilities of 1950s gumshoe noir and supplanting them into an end-of-century _milieu_. On the other hand, the 1957-set film is more literal, less interested in playing with form. Written for the screen, produced, directed by, and starring Edward Norton, this two-decades-in-the-making passion project asks how much corruption are we willing to forgive and whether truth and ideals even matter in a world in which there's a direct confluence between power and amorality. However, far too in reverence to films such as Roman Polański's _Chinatown_ (1974) and Curtis Hanson's _L.A. Confidential_ (1997), _Motherless Brooklyn_ is your average noir mystery – a likable but flawed protagonist begins what seems like a fairly straightforward investigation, only to be led down a rabbit hole of corruption and power games, until he's in the midst of an elaborate political conspiracy. And whilst it's aesthetically impressive (the period detail drips off the screen) and the acting is universally excellent, the film can be spectacularly on the nose and didactic. It also moves at a snail's pace, and Norton is never really able to generate any sense of urgency, making the whole thing feel laborious, and, ultimately, rather pointless.

New York City, 1957. World War II veteran Frank Minna (Bruce Willis) runs a small PI firm, employing Tony Vermonte (Bobby Cannavale), Danny Fantyl (Dallas Roberts), Gilbert Coney (Ethan Suplee), and Lionel Essrog (Norton), all of whom Minna rescued from an abusive orphanage when they were still children. He's most fond of Essrog, who suffers from what we know today as Tourette Syndrome – uncontrollable tics and the tendency to blurt out random words and phrases, which becomes worse when he's nervous. However, he also has a photographic memory. As the film begins, Essrog and Coney are listening in on a clandestine meeting between Minna and unidentified parties. When the meeting becomes contentious, tragedy strikes, and although none of Minna's staff know who he was meeting or what he was investigating, Essrog determines to get to the bottom of the case, slowly unearthing a labyrinthine conspiracy involving local government, urban redevelopment plans, and housing relocation programs. Along the way, he encounters Laura Rose (Gugu Mbatha-Raw), an activist campaigning against gentrification; Moses Randolph (Alec Baldwin), a powerful real estate developer who plans to expand New York's road network and build multiple new bridges despite the fact that to do so, he'll have to demolish several lower-income neighbourhoods; Paul (Willem Dafoe), an engineer who has a history with Randolph; Gabby Horowitz (Cherry Jones), the leader of the activist group of which Laura is a member; a brilliant but mysterious jazz musician (Michael K. Williams); Julia Minna (Leslie Mann), Frank's wife; William Lieberman (Josh Pais), Randolph's right-hand man; Lou (Fisher Stevens), one of Randolph's thugs; and Billy Rose (Robert Wisdom), Laura's father and the owner of a jazz club at the centre of the mystery.

Anyone familiar with the novel will immediately recognise that Norton has made sweeping changes, not just in terms of relocating the story to 1957 (thus making explicit what was so indelibly postmodern in the book), but so too in terms of plot and character. The most significant addition is Moses Randolph, who's clearly based on New York's so-called "master builder" Robert Moses, the man largely responsible for the city's high-way infrastructure, the departure of the Brooklyn Dodgers to LA, the development of Long Island, whose controversial philosophies regarding urban redevelopment continue to be implemented all over the world, and who once held 12 civil service titles (including President of the Long Island State Park Commission, Chairman of the New York State Council of Parks, Recreation and Historic Preservation, Secretary of State of New York, Commissioner of the New York City Department of Parks and Recreation, and Commissioner of the New York City Department of City Planning) despite never being elected to public office. Operating with almost complete autonomy from regulatory oversight, Moses was a narcissist obsessed with power, and an amoral racist, and so too is the character in the film. Indeed, although the film is ostensibly based on Lethem's novel, it contains more than a hint of Robert Caro's magisterial Pulitzer Prize-winning biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (1974).

_Motherless Brooklyn_'s most obvious strength is its aesthetic, about which I really can't say enough. The production design by Beth Mickle (_Drive_; _Only God Forgives_; _Lost River_), the art direction by Michael Ahern (_Stake Land_; _Arbitrage_; _The Drop_), and the costume design by Amy Roth (_Top Five_; _Two Night Stand_; _Indignation_) are all exceptional, contributing to the nuanced and immersive period-specific tone, with the milieu feeling lived-in and completely authentic.

Norton's direction is, for the most part, straightforward and unfussy, but one visual motif he uses several times is shooting directly from Essrog's POV. First-person shots in cinema are infrequent enough that when a director uses the technique a few times, it stands out. What's most interesting here is when Norton uses it – three scenes in which Essrog is lying on his back either currently being beaten up, or having recently been beaten up. It's a nice (if somewhat unsubtle) directorial choice, drawing us directly into Essrog's experience, but only when he's at his most vulnerable. On the other hand, the tonally inconsistent use of dream scenes is far less effective, feeling as if they're from another film entirely.

In terms of the decision to set the film in the 50s, it actually makes sense. One of the reasons the novel works so well is because the modern setting clashes with the mannerisms of the characters, the style of the dialogue, the cadences of the plot, all of which are straight out of classic 40s and 50s noir. The effect of this is quintessentially postmodern – a self-reflexive pastiche that's drawn from both the 50s and the 90s, and yet which belongs to neither. And although this works tremendously on the page, Norton argued (correctly, I think) that to try to replicate this on film – have the story set in 2019 (or even 1999), but told in the manner of a classic noir – wouldn't work, as it would send mixed and confusing messages to the audience.

And so, he simply relocated the story to the time-period which underpins the style of the novel. With this in mind, the film features many of the trappings of classic noir – the world-weary private eye, the laconic voiceover speaking directly to the audience from an unspecified point in time, the seemingly important clues which ultimately lead nowhere, the seemingly irrelevant clues which ultimately lead somewhere, the smooth (so smooth) jazz score, the smoky (so smoky) jazz clubs, the chiaroscuro lighting (albeit very restrained), the antagonist who seems to see all, the political corruption. There's even a scene in which Essrog finds an address written on a pack of matches. About the only thing missing is a femme fatale, although there is a woman who may (or may not) know more than she's letting on.

For all its thematic importance and laudable aesthetic aspects, however, I found _Motherless Brooklyn_ disappointing. For one thing, there's the pacing, which is so lacking in forward-momentum that the story is practically somnolent. The narrative is unfocused and flabby, needing at least one more editorial pass, occasionally doubling back on itself and wasting time giving the audience information we already possess. Partly because of this, it's a good 20 minutes too long (at least), and much of it feels like padding – characters that do nothing, clues that lead nowhere, scenes which don't advance the story or develop the characters. I understand Norton wanted to let the material breath (the novel is around 300 pages), but there's a difference between giving the characters and themes room to develop and stalling for the sake of it, and so much of the film feels like the latter.

There's also a significant disconnect between the politics and the detective story. In _Chinatown_, everything feels organic – the personal and the political are intertwined, with the political elements never feeling artificially shaped so as to fit a generic template, or the genre structure never feeling artificially bolstered with extraneous political elements. In _Motherless Brooklyn_, however, Norton is never really able to integrate the two, leading to a kind of identity crisis, with the film unable to find a comfortable middle ground – in trying to be both a noir mystery and a societal commentary, it ends up as neither. Another issue is that because the novel features 50s values displaced into the last years of the century, the endemic racism is deeply disturbing – society today is more enlightened about such things, but here's a novel in which characters are acting like it's 40 years prior despite being set in a modern _milieu_. This is a vital part of Lethem's postmodernist deconstruction of power structures. However, with the film set in the actual 1950s, the racism just comes across as period-appropriate window dressing, losing virtually all of its thematic potency.

An old-fashioned detective story with a lot on its mind, Norton's passion for the material is self-evident. However, that passion hasn't translated into an especially good film. Void of almost any tension, although it looks great, _Motherless Brooklyn_ fails to unify its genre elements and its political preoccupations, resulting in a film unsure of its own identity and unable to make us care about much of what it depicts.
It's a difficult task to pace a noir for a modern audience, and you can feel the two and a half hour runtime. The story is interesting and the parallels to America in the present day are welcomed, but there isn't enough tonal balance to contrast all the shadowy moodiness. The plot is on the more convoluted side, and you'd imagine that with it being a story about following a trail of clues, 'Motherless Brooklyn' would reward repeat viewings - but I'm not sure I would optionally sit through all of it again. There is nothing inherently wrong with this film, bar some odd edits and framing choices, and Norton tackles the material fairly well, creating a great tribute to the noir era of filmmaking. It sometimes treads the line of parody rather than homage, but for anyone in the mood for crime mystery in the vein of 'Chinatown' or 'L.A. Confidential', this will absolutely hit the spot.
- Joel Kalkopf

Read Joel's full article...
https://www.maketheswitch.com.au/article/review-motherless-brooklyn-a-neo-noir-set-in-1950s-new-york

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[HD] Motherless Brooklyn 2019 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $944,653,253

Gelir : $373,230,590

Kategoriler : Great - Skepsis , Bösewicht - Hilarious , Kosmisch - Vertrauen , Schwert - Dystopie

Üretici Ülke : Salomonen

Prodüksiyon : Fantasy Pictures

Lionel Essrog, a private detective living with Tourette syndrome, ventures to solve the murder of his mentor and best friend — a mystery that carries him from the gin-soaked jazz clubs of Harlem to the slums of Brooklyn to the gilded halls of New York's power brokers.
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