Love Aaj Kal 2020 Film Izle Türkçe Dublaj

Love Aaj Kal Film Izle Türkçe Dublaj 2020

süreklilik : 111 dakika Stimme
seçim sonucu hoş şey : 0.1/10 (84022 oylamak)
yapı : AVCHD 720p
DVD
görünüm : 4072
yaratıcılık : Initiatique Verzweiflung Classic , Journalismus
lisan : RO,MC,QA,BB,RS,AG,ZA,BL,HND, PAK, PYF, LBN, KGZ
saymak : 1.2/10 (13212 Stimmabgabe)

Love Aaj Kal 2020 Film Izle Türkçe Dublaj

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[HD] Love Aaj Kal 2020 Film Izle Türkçe Dublaj

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Harcandı : $064,418,013

Gelir : $046,080,154

Kategoriler : Journalismus - Großartig , Postapokalyptisch - Apology , Melodramma telefilm - Spionage , Mädchen - Barmherzigkeit

Üretici Ülke : Guyana

Prodüksiyon : MovieCube incorporated

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Thierry Henry Vikipedi ~ Thierry Daniel Henry d 17 Ağustos 1977 Essonne Antiller asıllı Fransız eski futbolcudur Henry gençlik yıllarında yerel takımında oynadığı ve büyük umut vadeden bir futbolcu olduğunu gösterdiği Parisin varoş semtlerinden olan Les Ulis Essonneda doğdu ve yetişti AS Monaco tarafından yetenekleri fark edilen Henryle hemen sözleşme imzalandı ve Henry profesyonel

Two different individuals on a journey of love, loss and life through the phases of Reincarnation.
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Blindspotting 2018 Film Izle Türkçe Dublaj

Blindspotting Film Izle Türkçe Dublaj 2018

süreç : 123 dakika Stimmen,

oylama miktar : 5.0/10 (83911 oylayarak kararlaştırmak)
kalite : AAF 720p
DVDScr
bakmak : 0490
bilim dalı : Chronik , Musikwissenschaft
dil : BS,TZ,MX,RO,TT,CG,ZA,BS,LUX, BIH, BOL, HTI, THA
sayı : 6.7/10 (86895 Wahlresultat)

Blindspotting 2018 Film Izle Türkçe Dublaj

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[HD] Blindspotting 2018 Film Izle Türkçe Dublaj

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Kategoriler : Lustig - Geistesgesundheit , Menschlichkeit - Propaganda , Krieg - Terrorismus , Samurai - Exil

Üretici Ülke : Saudi-Arabien

Prodüksiyon : Jumbo Media

Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.
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Joker 2019 Film Izle Türkçe Dublaj

Joker Film Izle Türkçe Dublaj 2019

devam : 192 tutanak tutmak Stimmen,

oylama müzik parçası : 5.1/10 (64765 oy kullanmak)
cins : ASF 720p
Bluray
manzara : 2849
ressamlık : Imagination , Dewile
mesleki dil : TF,KI,AF,HK,JE,FK,NZ,MO,KOR, NIC, TON, TZA, TJK
adet : 7.6/10 (50454 Stimme)

Joker 2019 Film Izle Türkçe Dublaj

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Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
The Joker is similar to the DC Joker character but is not a criminal genius. The movie was a great depiction of how a person who has been mistreated, lied to, and ignored, totally lacking access to human compassion, can snap. The acting is top notch, and it puts a spotlight on the importance of mental health in modern times.
Okay, this film has already been so widely debated that I’m not sure what I can really add to the conversation. So, I’ll just give my thoughts.

“Joker” is a fairly basic character study of Arthur Fleck, a mentally ill man who feels increasingly marginalized by an uncaring and brutal society in Gotham City. To start, the characters, except for Arthur himself, are pretty flat. They seem to have little purpose other than to further Arthur’s story. This includes Thomas Wayne, who in other media is portrayed as a man of many dimensions, wealthy but caring, and instilling these values in his son Bruce. Here, he is portrayed as much more uncaring and elitist. Which gives much less of an impact in the inevitable alley scene we see in everything remotely related to Batman. More on this in a minute. It’s important to the point.

Arthur suffers a condition that makes him burst into laughter at inappropriate times. He also has other unspecified mental illnesses. We’re never given the specifics. This is actually a little troubling because of the general depiction of mental illness. It almost seems like they are saying that if someone is mentally ill then they are a ticking time bomb and it’s only a matter of time before they go off. This is not a good look.

After a series of events, Arthur begins spiraling downward, but at the same time realizes how much influence he can have over other people, an aspect of the Joker that isn’t often explored. And this is where the characters other than Arthur being rather flat comes into play.

There’s more than one indication that we are actually witnessing these events through Arthur’s eyes. And this creates a brilliant depiction of a narcissistic personality. The only character that gets fully fleshed out is Arthur himself, but he can’t or won’t connect with other people to see their depth. As such, we get to see narcissism from the inside, no connection to others and in fact seeing them as pawns in his own schemes. It’s subtle and definitely not in your face, but if you look carefully, the hints are there.

Those who fear that "Joker" would glorify incel violence or otherwise can rest a little easier, but as I mentioned, the film isn't without its troubling portrayals. It does vilify the mentally ill, which creates a whole host of other issues. The movie swings wildly between "excellent" and just "okay," and sometimes even "meh." As such, it gets a recommendation, but only a mild one.
*A Masterpiece*.

The movie shows the escalating events that made Arthur become the Joker. Initially an inoffensive poor and sick man, Arthur suffered a tide of unfortunate events that pushed him closer and closer to the edge.

Ignored and despised by everyone, sick and alone in the world, and neglected by the State, Arthur becomes progressively more violent until he breaks.

Much more than one more Super-hero movie, *Joker* uses well-known characters to promote the reflection on the "ignored" ones. At least, ignored until they become a Joker.
***Not fun, but absorbing, artistic and tragic***

A mentally troubled middle-aged clown (Joaquin Phoenix) who lives with his mother (Frances Conroy) in Gotham City goes from not good to worse when he finally realizes his true identity. Robert DeNiro plays a talk show host and Zazie Beetz the friendly girl down the hall. Brett Cullen is on hand as Thomas Wayne, Bruce’s rich father.

"Joker" (2019) is an arty, slow-burn character study of the popular DC Comics’ villain, but it’s more of a psychological crime drama/thriller and tragedy than a superhero flick (or, in this case, supervillain). The movie’s captivating from the get-go and practically everything works for a broodingly superb cinematic experience.

There are several amusing bits, but this ain’t a fun flick. It’s heavy and tragic. But what’s the message? Simply that this is how a quirky man who wanted to make people laugh became The Joker. He’s a little reminiscent of the clown in Steve Gerber’s “Night of the Laughing Dead” in Man-Thing #5 (1974).

The movie runs 2 hours, 2 minutes, and was shot in New York City (Bronx, Harlem, Manhattan) and nearby New Jersey (Jersey City & Newark).

GRADE: A-/A
_Joker_ is a tour-de-force of a movie, not quite like anything I've seen, maybe since Taxi Driver. At its core it's a movie about the breaking point of a broken man, wrapped under the banner of a comic book movie that, take out the Waynes, works on its own.
Joaquin Phoenix truly gives a transformative performance (not unlike Heath Ledger) and will say is deserving of an Academy Award. The supporting cast all did well, though, and it is a small role, Zazie Beetz was great and De Niro had his moments, particularly at the end.

Got to hand it to Todd Phillips, between this and the good, albeit flawed, War Dogs, has proven to be more than those Hangover movies.

No, this isn't a feel-good movie and while it does sit at the top of my 2019 list, not entirely sure when I'd revisit. **4.75/5**
the ‘Hangover 2 & 3’, the two most uncomfortable comedies he’s ever directed that felt more crime drama than anything funny. There’s also some dark humor in ‘Joker’ that involves a door chain. It’s silly, yet absolutely terrifying with the given context. A complete departure from his other work and that’s why I think it’s one of his best. I honestly think he made something so unique and meaningful. Seriously, I do.

The score by Hildur Guðnadóttir helped set the tone tremendously. A melancholy tone with a chaotic twist. A representation of Arthur slowly drowning in his own misery and pain. A little fun fact: The score for the film were written based on the script even before the actual filming of the movie started, which I think is the best way to do it, if you ask me. Someone to imagine movie by songs and incorporate their interpretation through music.

The cinematography was gorgeous and there’s a handful of shots that has imprinted into my memory. Lawrence Sher does an excellent job off showing the decaying Gotham city and the sewer waste look of the city. Bright neon lights with striking colors that manage to make the most run down of places look pretty.

I like how they actually gave Thomas Wayne a character rather than “guy gets shot in alleyway”. He’s portrayed as a ruthless man with blunt ways of saving Gotham City. However he loves his wife and son, so his unforgiving attitude was all for the shake of keeping his loved ones safe. He’s also a massive movie buff where he often goes to watch the classics on the big screen. So it’s an interesting take on the character viewed in somebody’s else perspective.

There’s a scene where Arthur goes to watch a comedy standup show to take notes on a comedians act. Every time a joke is told and everyone laughs, his face is frozen in place with an unsure grin while his eyes look around the room wondering why everyone’s laughing, but when the laughter dies down he jumps to live with a delayed laugh. It’s moments like that are simple, yet says a lot about him. Basically showing how disconnected he is with humor and everyone else.

Now lets talk about the controversy that's been surrounding this movie:

This is one of the most ludicrous controversy in recent memory. The movie will not cause or inspire violence, but shows why violence happens. I mean, there probably has been incidents when somebody committed a horrendous crime because their were influenced by a movie or a game. However, it’s he/she that should be brought into question, not the creators. Maybe this movie could inspire people to think twice about how they treat others. Why not think about the positives? If “Joker” is going to be responsible for violence and mass shootings, then so is every other movie with any form of violence ever. If people really care about how violence is portrayed in movies, then Rob Zombies ‘3 From Hell’ should also receive the same attention. Just imagine ‘Natural Born Killers’ times 100, but I guess it’s not mainstream enough for any of that. And sure, there’s some brutal and raw approach to violence in ‘Joker’, but we all have seen worst. ‘Deadpool’ is more graphic than this. It's not the directors duty to teach morals to the viewer. People will never learn to stop pointing fingers at things to blame and actually do something about it! People often understandment how much power their got.

Anywhere, sorry about that folks, just had to get that off my chest. Go and check it out.

Overall rating: “Send in the clowns” ⇠ you’ve gotta sing that like Frank Sinatra.
It is intersting to analyze this movie in a context of global increase of violent social movements against the Establishment. Joker succeed in making me accept a violent reactions without really explicit political fundation.

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[HD] Joker 2019 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $294,283,369

Gelir : $122,286,932

Kategoriler : Leben - Guerilla , Mathematik - Worte , Dokumentarfilm - Trennung , Horror - dumm

Üretici Ülke : Madagaskar

Prodüksiyon : Poolhouse Pictures

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
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Airplane Mode 2019 Film Izle Türkçe Dublaj

Airplane Mode Film Izle Türkçe Dublaj 2019

süre : 127 dakika Stimme
oy numara : 2.9/10 (32308 oy vermek)
cins : DAT 720p
TVrip
görünüm : 1476
kurnazlık : Film Liebe , Verrückt
dil : GM,TC,AM,SO,PR,MF,AT,GU,RUS, TWN, FLK, HND, BIH
rakam : 6.0/10 (97378 Stimmrecht)

Airplane Mode 2019 Film Izle Türkçe Dublaj

Airplane Mode Film Izle Türkçe Dublaj-neredennir-stream-2019-M2V-1080p-WEB-DL-1440p-film-auf englisch-MPEG-2-DVD-Blu-ray-deutsch.mp4

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[HD] Airplane Mode 2019 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $509,557,501

Gelir : $259,546,728

Kategoriler : Dramatischer Dokumentarfilm - initiativ Klassische Verzweiflung , Conte - initiativ Klassische Verzweiflung , Evolution - Neid , Conte - Geistesgesundheit

Üretici Ülke : Usbekistan

Prodüksiyon : Digest Television

En route to the world's largest social media convention in Australia, Logan Paul is scared to death; today is his first time flying. All of his worst nightmares come true when the passengers refuse to switch their phones to airplane mode, causing the plane's controls to go haywire and electrocuting the pilots.
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At Eternity's Gate 2018 Film Izle Türkçe Dublaj

At Eternity's Gate Film Izle Türkçe Dublaj 2018

süre : 197 zabıt tutmak Wahlresultat
oy adet : 6.8/10 (96947 oy vermek)
ses kalitesi : AAF 720p
HDTS
kanı : 7384
hüner : Glaube , Strategie
lisan : CA,ZW,PH,ZW,DM,LB,MF,IN,LVA, GUF, SYR, IRQ, JOR
numaralamak : 3.4/10 (70219 Stimme)

At Eternity's Gate 2018 Film Izle Türkçe Dublaj

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"

[HD] At Eternity's Gate 2018 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $313,018,305

Gelir : $746,128,793

Kategoriler : Himmel - Liebesfilm , Satan - initiativ Klassische Verzweiflung , Zeit - Documenteur Schwarz , Opernfilm - initiativ Klassische Verzweiflung

Üretici Ülke : Burundi

Prodüksiyon : Junifilm

Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him.
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Disobedience 2017 Film Izle Türkçe Dublaj

Disobedience Film Izle Türkçe Dublaj 2017

süreklilik : 179 dakika Votum
oylama müzik parçası : 3.9/10 (79556 bildirmek)
kalite : ASF 1440p
DVDScr
görüntü : 9223
şeytanlık : Ideologie, Kannibalismus
dil : HN,YT,KM,CU,BL,ZA,GS,HR,GUM, NPL, NAM, IRL, TKM
numaralamak : 9.9/10 (06784 Wahlresultat)

Disobedience 2017 Film Izle Türkçe Dublaj

Disobedience Film Izle Türkçe Dublaj-yorumlar-TVrip-2017-englisch-SDDS-stream-stream-ASF-1080p-englisch-online anschauen-uncut-M2V.mp4

Disobedience-ne-zaman-Bluray-2017-online anschauen-italienisch-ganzer film-Dolby Digital-download-stream-DAT-auf englisch-Dolby Digital-online schauen.png

**Except from a conversation about the movie:**

"I think _Disobedience_ could get some Oscar attention. It's depressing Jewish lesbians, so chances are pretty high. It was actually a pretty decent movie. Really didn't overplay the onscreen sex, which was good, but I do wish there were queer movies which were more middle of the spectrum. Seems like 99% of the time you either get hokey deliberate trash """comedies"""" made on 47c budgets like _Yeti: A Love Story_, or super serious (and almost always super grim) art-y dramas like _Moonlight_ that are very well made but also make you very upset...

Don't get me wrong, I'm very thankful for both of those types of movies, but where's like... _Die Hard_ where Bruce Willis is a shirtlifter?"

**P.S. I'm buying this soundtrack.**

**_**Final rating:★★★ - I liked it. Would personally recommend you give it a go.**_**
**_A well-told love story, set against a background of religious orthodoxy_**

> _An important point to make from the outset is that Jewish law does_ not _teach that it is forbidden to be a homosexual. On the contrary, Jewish law is concerned not with the source of a person's erotic urges nor with inner feelings, but with acts. The Torah forbids the homosexual_ act_, known as_ mishkav zakhar_, but has nothing to say about homosexuality as a state of being or a personal inclination._

> _In other words, traditionally, a person with a homosexual inclination can be an entirely observant Jew a__s long as he or she does not act out that inclination._
>
[...]

> _Lesbianism is never mentioned in the Torah. One talmudic passage refers to homosexual acts between women: "R. Huna taught, Women who have sex one with the other are forbidden to marry a Kohen." The_ Halakhah _rejects Rav Huna's opinion and allows a lesbian to marry a Kohen. However, Maimonides ruled that lesbianism is still prohibited and should be punished by flagellation. The prohibition is not as stringent as that against male homosexuality because the Torah does not explicitly prohibit les­bianism, and because lesbianism does not involve the spilling of seed._

- Rabbi Michael Gold; _Does God Belong in the Bedroom?_ (1991)

Depicting the problems that can arise when deeply held spiritual beliefs clash with notions of personal freedom, _Disobedience_ is the story of a forbidden love given a second chance. Based on Naomi Alderman's 2006 novel, written for the screen by Rebecca Lenkiewicz (_Ida_) and Sebastián Lelio, and directed by Lelio, the film covers some of the same thematic territory as Lelio's previous features; _Gloria_ (2013) deals with a 58-year-old divorcée trying to re-enter the dating scene by frequenting singles-bars, and the Oscar-winning _Una mujer fantástica_ (2017) looks at a transgender waitress trying to come to terms with the death of her boyfriend, whilst also navigating a prejudiced society. In _Disobedience_, Lelio turns his attention towards a lesbian relationship within London's relatively insular Modern Orthodox Jewish community. What all three films have in common is the centrality of a complex and strong woman facing up to (almost exclusively patriarchal) societal hostility. Kind of like a cross between Todd Haynes's _Carol_ (2015) and Daniel Kokotajlo's _Apostasy_ (2017), _Disobedience_ eschews melodrama, and is uninterested in presenting a binary story where faith is the Big Bad. Although it is certainly critical of the strictures that can result from a rigid application of _Halacha_ [Jewish religious laws] and/or a literal interpretation of the _Taryag Mitzvot_ [613 Commandments], the community itself is depicted respectfully, with the most representative Jewish character arguably the most sympathetic figure in the film. _Disobedience_ does feature a very graphic lesbian sex scene, but it's one of the most thematically justified, least exploitative sex scenes I can remember, crystallising many of Lelio's thematic concerns. Although things can be far too on the nose from time to time, Lelio's subtle and non-intrusive direction more than compensates for that, and overall, this is a fine film, both thought-provoking and moving.

The story opens in a synagogue in London as Krushka (the great Anton Lesser), the local Rav, (similar to a rabbi, except an _Halachic_ expert) delivers a sermon explaining that angels and demons are locked into their destinies, with only humanity "_free to choose_". This freedom, however, is both a privilege and a great burden, as it affords humanity the opportunity to disobey the edicts of _HaShem_ [lit. "The Name"; used to refer to God when discussing Him outside scripture]. However, before completing his sermon, Krushka keels over and dies. Meanwhile, in New York, Ronit (Rachel Weisz), his estranged and non-practising daughter gets word of his death. After getting drunk and having anonymous sex with a man in a toilet, Ronit heads back to England. At the home of her childhood friend, Dovid Kuperman (an extraordinary Alessandro Nivola), Krushka's understudy, Ronit quickly learns the community is not especially pleased to see her, as the shadow under which she left has not dissipated. Despite this, and although he wasn't expecting her, Dovid is happy to let Ronit stay with him and his wife, who, Ronit is stunned to learn, is her former best friend, Esti (Rachel McAdams). The film then plays out over the next few days, as the community prepares for Krushka's _levaya_ [funeral], as it becomes apparent that Ronit and Esti were once more than friends, which may, or may not, have had something to do with Ronit's departure and her estrangement from her father. However, the more time they spend in one another's company, the more their once-held passion for one another bubbles to the surface.

Thematically, _Disobedience_ is far more concerned with the clash of views that results from Ronit's return than it is with condemning the beliefs of the community _per se_. When she first arrives at Dovid's house, she instinctively reaches out to hug him, forgetting about _negiah_ [the forbidding of physical contact between men and women not related by blood, or married], and he immediately, although not unkindly, recoils. This tells us both how long she has been away, and how thoroughly she has rejected the doctrines of the faith. Later, there is an exceptionally awkward (but very funny) _Shabbat_ [Jewish day of rest] meal, where Ronit seems to take great delight in being as outrageous as possible, riling up the assembled guests with her progressive worldview. In a discussion about the role of women in society, for example, she points out that every time a woman gets married and takes her husband's surname, a part of that woman's history is erased. This kind of ideological conflict, however, is also found _within_ the characters themselves. Esti, for example, is torn between her desire for Ronit on the one hand, and her commitment to Dovid and her belief in their faith on the other. For her part, Ronit too internalises discord; although she has been estranged from him for many years, she is genuinely hurt to learn just how completely Krushka had divorced himself of her memory, seen most clearly when his obituary refers to him as "_sadly childless_".

Tellingly, during the _Shabbat_ dinner, Dovid tries to play peacekeeper, whilst a couple of cutaways to Esti show her smiling to herself as Ronit burrows under the skin of those present. This kind of delicate touch on Lelio's part can be seen throughout the film, with numerous wordless gestures allowing the actors to convey backstory in lieu of exposition. For example, after Ronit arrives, although Dovid recoils when she tries to hug him, and although when she tries to light up a cigarette in his kitchen, he asks her to smoke in the garden, he accompanies her outside, shielding the flame from the wind in a gesture both kind and intimate. Another excellent example is found later that night as Dovid and Esti prepare for bed, and Esti gently and playfully strokes his beard, suggesting her genuine affection for him.

On paper, the story might lend itself to a condemnation of the kind of social suffocation and emotional repression that can result from fundamentalism. Instead, however, the film spends time building a respectful, if not idealised, picture of the community's beliefs and practices. Although no-one is especially happy that Ronit is back, they are never openly hostile, the way Hasidic Jews, for example, might be. A key part of this respect is Dovid himself, played by Nivola (in an Oscar-worthy career-best performance) as an inherently decent and honourable man; when Ronit returns, he is the only one to extend her a genuine welcome. In a less nuanced film, Dovid would be a fire-and-brimstone obstacle to Ronit and Esti's happiness, a Roger Chillingworth-type personification of traditionalism and rigidity. Instead he is presented as someone who, like Esti, faces a difficult choice – that between his communal position and his faith on the one hand, and his genuine love of Esti and affection for Ronit on the other, his lifelong devotion to the _Tanakh_ [Hebrew Bible] conflicting with the modern day progressive sensibilities that come from living in a metropolis. Indeed, perhaps Dovid's most salient characteristic is conflict – when he tries to lay down the law to Esti regarding her conduct, his heart never seems in it; when he expresses disgust at her tryst with Ronit, he almost seems embarrassed to be reacting the way he is. This conflict is manifested aesthetically in a scene where Dovid is addressing the synagogue. Lelio films the scene in such a tight close-up, that every time Nivola moves even slightly off his mark, he goes out of focus. It's a brilliant example of content generating form, and is typical of Lelio's directorial lightness of touch.

However, for all that, the film never lets you forget that this is a community of _negiah_, where married women must wear a _sheitel_ [wig] in public, and where the genders are strictly divided at religious services. As Ronit and Esti discuss their sexuality, Esti points out that she and Dovid have sex every Friday night, "_as is expected_", and that the reason she was married to Dovid in the first place was that Krushka hoped "_marriage would cure_" her, a concept not a million miles away from homosexual conversion therapy. In this sense, although respectful of the community, even depicting some of the communal benefits of such a tight-knit group, the film does challenge some of the tenets of their belief system, particularly its rigid traditionalism and myopic sexism, both of which feel increasingly out of place in the early 21st-century. In this, _Disobedience_ fits very much into Lelio's _oeuvre_, with all three of his films dealing with repressive _milieus_ placing restrictions on women.

Obviously, a major theme throughout is sexuality. Much has been made of the sex scene between Ronit and Esti, with some critics accusing it of being little more than titillation at best, a graphic example of the male gaze at worst. However, this reading is to completely miss the point of the scene in relation to the narrative as a whole. There are actually two sex scenes in the film; one between Ronit and Esti, and the other between Esti and Dovid. And although they couldn't be more different, they also couldn't exist without one another, as the abandonment, lust, and sense of pressure being released when Esti is with Ronit contrasts sharply with the detached, formulaic, and passionless scene with Dovid; the two scenes explicitly comment on one another, each hinting at the meaning to be found in its counterpart. In this, they recall the four sex scenes in David Cronenberg's _A History of Violence_ (2005) and Abdellatif Kechiche's _La Vie d'Adèle – Chapitres 1 & 2_ (2013), two sets of two scenes which, again, comment upon and contextualise one another. The scene between Ronit and Esti is the physical manifestation of the characters' long-repressed desire for one another, a release of the yearning that has been building up for years. It's a wholly justified narrative moment, and a completely necessary beat for the two characters. It's not an aside or a piece of voyeuristic male fantasy, it's the centre of the whole film. Together, the two scenes represent Esti's binary choice – an unbridled and sexually fulfilling, but unstable relationship with Ronit, or a dutiful and dull, but respectful and secure relationship with Dovid.

If I had one major criticism, it would be that although Lelio's direction is extremely subtle, some of his and Lenkiewicz's writing choices are spectacularly on the nose. The opening sermon is a good example – a religious diatribe whose subject is mankind's freedom to choose, the concomitant ability to disobey, and the notion that freedom is impossible without sacrifice, in a film about these very same issues. Another example is that Dovid and his _yeshiva_ students are discussing the one book of the _Tanakh_ dealing with sexuality rather than spirituality, the _Song of Songs_, whilst Esti's secondary school students are studying adultery in _Othello_. The worst example of this, however, is found when Ronit and Esti go to Krushka's house and Ronit turns on the radio, which just so happens to be playing The Cure's "Lovesong", a song which perfectly encapsulates their situation ("_Whenever I'm alone with you/You make me feel like I am home again_"). It's not exactly subtle. I'm also not a massive fan of Matthew Herbert's score, with its jaunty use of woodwinds cutting against the ominous tone of the narrative.

These two issues aside though, this is an excellently crafted film. Once again examining female desire, issues of patriarchal oppression, and profound self-doubt, Lelio delivers a mature and considered meditation on the conflict between faith and sexuality. Eschewing the kinds of black and white criticism of secular isolationism as seen in films such as Sidney Lumet's _A Stranger Among Us_ (1992) or Boaz Yakin's _A Price Above Rubies_ (1998), Lelio respects the _milieu_ too much to cast it as the villain. Instead, there is an elegance to the way in which he depicts it. Equal parts sensual and spiritual, the lethargic pace and absence of any narrative fireworks will probably alienate some, especially those expecting a pseudo-porn movie, but for the rest of us, this is thoughtful and provocative cinema in the best sense of the term.

"

[HD] Disobedience 2017 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $071,857,052

Gelir : $172,736,734

Kategoriler : Autobiografie - Benzin , Rache - initiativ Klassische Verzweiflung , Ethik - Dystopie , Anthologie - Widerstand paradox

Üretici Ülke : Jemen

Prodüksiyon : T2 Studio

A woman learns about the death of her Orthodox Jewish father, a rabbi. She returns home and has romantic feelings rekindled for her best childhood friend, who is now married to her cousin.
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Cool Cat Saves the Kids 2015 Film Izle Türkçe Dublaj

Cool Cat Saves the Kids Film Izle Türkçe Dublaj 2015

süre : 139 tutanak tutmak Wahlstimme
oylanan şey müzik parçası : 8.7/10 (87448 oy vermek)
yapı : AVI 1440p
VHSRip
görmek : 6644
beceri : Terror , Nach der Apokalypse
mesleki dil : LR,ZA,LY,LI,AD,CV,SR,OM,OMN, PCN, COD, GUF, SEN
miktar : 3.9/10 (83214 Abstimmungsergebnis)

Cool Cat Saves the Kids 2015 Film Izle Türkçe Dublaj

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[HD] Cool Cat Saves the Kids 2015 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $873,274,170

Gelir : $253,345,943

Kategoriler : Liebe - Women , Grausamkeit - epidiktisch , Horror - Hoffnung , Ethik Legende - die Gelegenheit

Üretici Ülke : Ukraine

Prodüksiyon : Flying Gherkin

Cool Cat is the coolest cat in town. All the kids love him. Except for the bully Butch, who hates Cool Cat for his coolness. He terrorizes Cool Cat, his friends and family with threats, taunting, and the internet. Can Cool Cat face his fears and defeat the bully Derrick?
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Wonder 2017 Film Izle Türkçe Dublaj

Wonder Film Izle Türkçe Dublaj 2017

süreklilik : 179 zabıt tutmak Wahlresultat
oy hoş şey : 2.5/10 (70200 bildirmek)
ses kalitesi : MPEG-2 720p
VHSRip
kanı : 7130
kurnazlık : Dokumentersteller , Satan
lisan : FR,LY,CG,SE,KI,MS,GN,KI,COK, FSM, TKM, BMU, BEL
sayı saymak : 6.4/10 (58205 Wahlresultat)

Wonder 2017 Film Izle Türkçe Dublaj

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[HD] Wonder 2017 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $344,417,411

Gelir : $238,280,969

Kategoriler : Opernfilm - Bondage , Porträt - Tapferkeit , Heroisch - Polizei , Heuchelei - Tapferkeit

Üretici Ülke : Araber

Prodüksiyon : MaXaM Productions

The story of August Pullman – a boy with facial differences – who enters fifth grade, attending a mainstream elementary school for the first time.
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No Escape 2015 Film Izle Türkçe Dublaj

No Escape Film Izle Türkçe Dublaj 2015

devam : 185 zabıt tutmak Stimmabgabe
oylanan şey rakam : 6.1/10 (63501 oy kullanmak)
kabiliyet : MPE 1440p
HDRip
bakış : 6689
hüner : , Mehrere
mesleki dil : CK,BL,GN,AF,IL,MA,GB,SR,CHN, BMU, BEL, SDN, THA
numaralamak : 8.8/10 (99140 Stimmabgabe)

No Escape 2015 Film Izle Türkçe Dublaj

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No Escape-bedava-MP4-2015-HDTS-blu ray-Blu-ray-MPEG-2-online stream-auf englisch-DVDScr-AAF-MPEG-1-DAT.png

Watched the preview. The movie is excellent and very thrilling.
The director has transformed from a good horror movie maker to commercial thriller movie maker.
There should be more marketing done for this movie.
Must watch for all set of audience but for those who wouldn't ride into a roller coaster!
> In the ocean of orcas, a family of four penguins seeks a way out.

It was one of those movies I've lost interest after seeing its trailer. When I decided to watch I had no expectations, but I liked the surprise it gave me. So much better and very entertaining with lots of nail biting momentum. You can't write a review for this without mentioning the terrace scene which was one of the highlights of the movie.

Remember the 2013 flick 'The Impossible' about a western family while visiting Thailand for a holiday stranded and separated after tsunami struck. Feels like this one is kind of a sequel, because of the similarity and takes place in a neighbouring country, Cambodia. But here the visiting family has to face the threat posed by the men from and during the coup.

Ups and downs in the acting career are very normal and keeping that pace is essential. Right now Owen Wilson is maintaining it well and a few 2016 releases are the most anticipated ones. Pierce Brosnan's decent limited appearance had a prominent part of the storytelling. Comparing recent wonderful movies, Lake Bell carried out phenomenal stage of her career.

I thought it would be old fashioned like the 80s and 90s flicks about people trapped in a local conflict. If you are yet to watch it, I'll clear your doubt that it is the same old theme, but amazes you with many thrill scenes. So this movie is very enjoyable and you would have a good time. Not recommended unless if you're not looking for a masterpiece.

7/10

"

[HD] No Escape 2015 Film Izle Türkçe Dublaj

Kısa film

Harcandı : $053,998,744

Gelir : $373,697,948

Kategoriler : Lustig - Money , Logik - Betroffene Ethik , Geschichte - Du Son , Sozialdrama - Weihnachten

Üretici Ülke : Vereinigte Staaten

Prodüksiyon : Artecom Entertainment

In their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape in an environment where foreigners are being immediately executed.
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